Bach: Sheep may safely graze (Schafe können sicher weiden) as played by Khatia Buniatishvili (arr. Flavio Regis Cunha) Sheet Music | Johann Sebastian Bach and Khatia Buniatishvili | Piano Solo
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Bach: Sheep may safely graze (Schafe können sicher weiden) as played by Khatia Buniatishvili (arr. Flavio Regis Cunha) Digital Sheet Music
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Cover Art for "Bach: Sheep may safely graze (Schafe können sicher weiden) as played by Khatia Buniatishvili (arr. Flavio Regis Cunha)" by Johann Sebastian Bach and Khatia Buniatishvili PASS

Bach: Sheep may safely graze (Schafe können sicher weiden) as played by Khatia Buniatishvili (arr. Flavio Regis Cunha)
by Johann Sebastian Bach and Khatia Buniatishvili
Piano Solo - Digital Sheet Music

$7.99
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Cart purchase includes:
Official publisher PDF (downloadable/printable)
Access anywhere, from any device.

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Let the music of Khatia Buniatishvili grace your next performance. The exceptional Georgian pianist held a captivating concert and offered a phenomenally beautiful encore. Now, you can experience the same magic with her astounding performance of 'Sheep may safely graze (Schafe können sicher weiden)'. Download the sheet music now and play it in your own sparkling rendition! 

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Format: Concert, 9 x 12
6 pages

Notes

Bach: Sheep may safely graze (Schafe können sicher weiden) as played by Khatia Buniatishvili.

Arrangement written according to the smooth and peaceful interpretation of the renowned pianist Kathia Buniatishvili.

Watch pianist Khatia's performance in the Encore of her concert:
https://youtu.be/rjm9aGioXaw 

"Sheep may safely graze" (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach to words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (Only the lively hunt pleases me), also known as the Hunting Cantata.

Like the Bach's "Jesu, Joy of Man's Desiring", "Sheep may safely graze" is frequently played at weddings. However, the cantata BWV 208 was originally written for a birthday celebration of Christian, Duke of Saxe-Weissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.